YAKUMO JAPAN

Journal · 手記 · Technique and the mark

Eimei: thrown, or pressed and pared

24 October 2026

An oval in namako glaze, 18.3 cm. The recorded account of how Eimei worked explains why even his production pots carry hand finishing — and his own oval seal is on this foot.

An oval bonsai pot in namako glaze.
Eimei 英明 · oval, namako glaze · 18.3 cm

At a glance

Maker
Eimei 英明
Born
1960
Region
Tokoname
Father
Yōzan, a pot maker and a glaze man of standing
This pot
Oval, namako glaze, 18.3 cm (7.2 in)
Mark on this foot
His oval seal, 英明

01 · 技法 How the pots were made

Thrown, or pressed and pared

His range runs to glazed small and medium pots. Rounds went on the wheel; everything else was press-moulded. The moulded pieces were taken thick and then pared back, so even the production work has hand finishing in it.

Some pieces are close to one-offs and some are made in numbers. When you look at one of his pots, look at the edges and the underside for signs of the paring described in the record.

02 · 志 Two aims

Within reach, and his own

Two aims are recorded for him together: to be a good craftsman putting affordable goods within reach, and to express something of his own as a maker. The pots are made on both sides of that.

03 · 落款 The foot

His own oval seal

His own oval seal, 英明, is on this pot’s foot — the basis on which we list it as his. His maker page sets out his recorded marks.

Available from YAKUMO JAPAN

See this pot on eBay

Read further

Ask us

A pot, a mark, a question?

Send us a photograph and we will tell you what we can see — and what the photograph cannot tell us.